Lecturer Shelly Zegart brings to her lectures more than 30 years of passion for quilts. During that time she has amassed a wealth of knowledge that makes her a sought after lecturer in the U. She can lecture on one of her favorite topics or personally design a lecture or seminar for your group. Zegart loves to speak in front of a crowd, large or small. Her lectures are interesting, informative, as well as entertaining. If you would like more information, e-mail Shelly at zegartquilt gmail. Lectures are usually one hour in length with time for questions and answers. Lecture fees, travel, and expenses vary depending on the program and location. Good, Better, Best Antique Quilts:
Clues in the Calico: A Guide to Identifying and Dating Antique Quilts
Dating Antique Quilts In recent years the Museum has hosted two magnificent quilt exhibits featuring. A large and complete catalogue of unique antique American quilts and woven coverlets arranged by historical era with informative quilt tips.
Share Kimberly Wulfert is a quilt historian and collector whose website, www. Many antique quilt collectors think of themselves as caretakers of historical documents, made at the hands of the needlework sisterhood before them. Their quilts speak to them and tell their story through clues in the style, fabric, pattern, quilt stitches and sometimes stitched or inked words, names, cities or dates. The first time I went to an all antique quilt auction was in Southern California. One of those large Mid-western quilt dealer auction houses was holding an auction at a nearby hotel and I was very excited to go.
I got there early and looked through their quilts as one is supposed to do, but I was rather new to quilt dating. With paddle in hand, I was ready. I believed every word the auctioneer said, big mistake.
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The seven hundred or so inhabitants of this small, rural community are mostly descendants of slaves, and for generations they worked the fields belonging to the local Pettway plantation. Quiltmakers there have produced countless patchwork masterpieces beginning as far back as the mid-nineteenth century, with the oldest existing examples dating from the s. Enlivened by a visual imagination that extends the expressive boundaries of the quilt genre, these astounding creations constitute a crucial chapter in the history of African American art.
They represent only a part of the rich body of African American quilts. But they are in a league by themselves.
August 30, Favorited Add to Favorites Sometime during the late s, fabric bags began to be used for the transport of grains and other staples in the United States. It was easier to transport these products in fabric rather than in wood and metal grain storage containers. Early bags were made with white cotton and often bore a mill logo. Soon, those bags were manufactured using popular dress prints. Medium florals, large florals, polka dots, stripes, plaids, solids and toile designs were manufactured.
Themed prints for gardening and kitchens were common, along with hankie and border print feedsacks as well. Some feedsack prints were designed for specific seasons and months, and there were even prints highlighting different geographic areas. A Gone with the Wind was even created! The fabric from these bags was used to make clothing, quilts and items such as dishtowels and aprons, up until the early s, when most of the fabric bags were replaced with paper ones.
Not only were wonderful feedsack quilts created during this era, but feedsack quilting continues to be a popular trend today. Many quilters now collect these feedsacks from the past to use for their current projects. They can be found in antique shops, flea markets and on the Web through eBay and Etsy shops.
Glenna Hailey is a quilter, author, designer and feedsack collector who has created many beautiful designs with these feedsack fabrics from earlier days.
I will post more on that subject in another post. Today, I want to post pictures of antique quilts I found in antique shops. I did not pick up the quilts to spread our for a picture, so they are as they were displayed.
Europe[ edit ] Whole-cloth quilt, 18th century, Netherlands. Textile made in India. In Europe quilting appears to have been introduced by Crusaders in the 12th century Colby , in particular in the form of the aketon or gambeson , a quilted garment worn under armour which later developed into the doublet. One of the earliest existing decorative works is the Tristan quilt ,  made around Another of the Tristan and Isolde story is held in a private collection.
Russia[ edit ] Russia holds the ancient example in existence.
Feedsack Quilting: Quilting With the Past
How to Sew New Fabric Onto an Old Quilt Vintage and antique quilts serve as handsome decorating pieces, particularly in older or historical homes. If you’ve found or purchased a quilt, you may want to know when or where it was made. It’s tough to accurately date a quilt unless you’re an antiques appraiser, but by looking for a few clues, you can deduce its general age. Vintage quilts were made from the s to , while quilts deemed antique date back to years ago or more.
Ann has a degree in anthropology and many years of experience working with vintage and antique textiles. She has a wealth of knowledge as can be seen on her blog and website and is so inspirational. My name is Ann Wasserman. Stephanie Ann has graciously invited me to write a bit about my experience with repairing and caring for antique quilts 30 years.
I also have more recently begun repairing vintage clothing 5 years. When you are working on an antique quilt, you are taking stitches in a three-dimensional, historical document. In a hundred years, there may be only a few quilts from the s left intact. They will be as rare and collectable as quilts from the s, even the plainest ones, are now.
Feedsack Quilting: Quilting With the Past
American Quilters’ Society, America’s Printed Fabrics Clues in the Calico: Encyclopedia of Pieced Quilt Patterns.
Many antique quilt collectors think of themselves as caretakers of historical documents, made at the hands of the needlework sisterhood before them. Their quilts speak to them and tell their story through clues in the style, fabric, pattern, quilt stitches and sometimes stitched or inked words, names, cities or dates. The first time I went to an all antique quilt auction was in Southern California. One of those large Mid-western quilt dealer auction houses was holding an auction at a nearby hotel and I was very excited to go.
I got there early and looked through their quilts as one is supposed to do, but I was rather new to quilt dating. With paddle in hand, I was ready. I believed every word the auctioneer said, big mistake. It was the most I had ever paid for something so small. Excitedly I bid on another, a large early 20th century quilt so they said , that from a distance was visually dynamic, colorful and in great shape.
Dating Antique Quilts
The Antiques connecting our past with our daily life in the most beautiful way. Stay in touch with your roots, with your tradition and meet another cultures and learn more about them. Friday, November 11, How to date a quilt One important part of appraising a quilt or any textile is accurate dating. Sometimes there is no doubt of the date, because the maker embriodered it onto the quilt or wrote it somewhereon the back in indelible ink.
Sometimes a quilt was so obviously designed for a special occasions — such as the Century of Progress Exposition in Chicago — that its date can be easily ascertained. Most of the quilts that are available for collecting were made in the 19th and 20th centuries, although it is possible to find an earlier treasure for sale or maybe even in your own attic.
It is the only national group devoted to researching and documenting the history of American quilts. How can one not want to be part of an organization that “establishes and promotes the highest standards for interdisciplinary quilt-related studies, providing opportunities for study, research, and the publication of works that advance the knowledge of quilts and related subjects. This stalwart core group started with the “goal to preserve the story of quiltmaking — past, present, and future.
AQSG has come a long way from the simple beginnings. It is actually now an international group with members in a number of countries beyond the United States. The group has hundreds of members and does many things to preserve and document quilt history. One of the most tangible ways they preserve quiltmaking history is through their two scholarly publications: Blanket Statements and Uncoverings. Blanket Statements is published quarterly and contains a variety of articles on quilt history, current research topics, recently published books, upcoming exhibits, and much more.
Uncoverings is published annually. It contains the detailed, well documented, and highly vetted research papers presented each year at the annual seminar. Papers cover a vast range of topics including international quilting history and trends. AQSG also has a mentoring program to assist people in researching and writing the papers for both publications.